By Petre M. Petrov
At the top of the Twenties, the Modernist and avant-garde inventive programmes of the early Soviet Union have been swept away via the increase of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition additionally represent a conceptual holiday, or have been there unseen continuities among those events? In Automatic for the Masses, Petre M. Petrov deals a unique, theoretically educated account of that transition, tracing these connections via Modernist notions of business enterprise and authorship.
Reading the statements and manifestos of the Formalists, Constructivists, and different Soviet avant-garde artists, Petrov argues that Socialist Realism perpetuated in a brand new shape the Modernist “death of the author.” In analyzing this symbolic dying, he exhibits how the reliable tradition of the Thirties might be obvious as a perverted consciousness of modernism’s unrealizable venture. An insightful and not easy interpretation of the period, Automatic for the Masses can be required analyzing for these drawn to figuring out early Soviet culture.
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Automatic for the Masses: The Death of the Author and the Birth of Socialist Realism by Petre M. Petrov